Vintage dynamic cardioid microphone, best known for its use in EMI Studios during The Beatles’ sessions. It has a warm, mid-focused sound with a natural roll-off in the highs, making it ideal for drums and acoustic instruments. The compact size and rugged design gave it versatility both in studio and broadcast environments.

Modern dynamic microphone designed for bass instruments, kick drum, and low-frequency sources. It delivers a tailored frequency response with a strong low-end boost and a presence peak, cutting through dense mixes. Rugged construction and affordability make it a reliable workhorse for live and studio applications alike.

Vintage dynamic microphone gently resembling the MD421 in shape but with a smoother, more woody character. Popular in European broadcast and live sound applications of its era, it has since found new life in studios seeking unique vocal tones. Its build is solid and roadworthy, with a tonal balance leaning slightly toward warmth.

A Japanese-made dynamic microphone distributed by California Radio Supply. It delivers a lo-fi, colored tone that can add character to vocals, harmonicas, or guitar amps. Lightweight and simple in design, it was originally marketed for public address but has become a sought-after oddity in studios for its distinct sonic texture.

Iconic large-diaphragm dynamic microphones, early white-body models highly prized for their rarity and sound quality. They offer extended frequency response and a powerful low-end, making them staples for toms, brass, and guitar cabinets. The script-logo versions are especially valued by engineers for their smoothness compared to later iterations.

No need for introduction.

Michael Jackson’s, John Meyer’s, James Hetfield’s and now every podcaster’s favourite microphone.

(Lomo Cardioid Capsule) A rare small-diaphragm condenser developed in the Soviet Union, inspired by Neumann’s KM series. It has a clear, natural midrange response and performs well on acoustic instruments and overheads. Though not widely exported, it embodies the Soviet approach to reverse-engineering Western studio tools, offering unique coloration compared to German originals.

Popular in live recording setups and studios, closed-back, over-ear professional studio monitor headphones.

An industry-standard closed-back, over-ear studio headphone known for its detailed sound, excellent noise isolation, and exceptional comfort.

A legendary, open-back, dynamic studio headphone known for its spacious, detailed, and transparent sound.

Iconic, compact, two-way passive studio monitor known for its distinctive white woofer cone and unforgiving sound, forcing engineers to create mixes that translate well to other systems.

The Quad 33 (preamp) and 303 (power amp) from 1967 were revolutionary solid-state audio separates, known for their innovative "Triple" transistor output stage, iconic minimalist grey design with orange accents, and warm, detailed sound.

Interface & Monitor Controller

Wireless‑Controlled 16‑channel Digital Mixer

500-series Chassis

500-series Microphone Preamp & Pultec Style EQ (Modded with real 1970s API Op‑Amps)

Lake Placid Blue, Maple Fingerboard

12-string Electro-Acoustic Guitar

Aluminium 14” x 6.5”

Gold Astro Outfit - 22” x 14” Bass Drum, 12” x 8” Tom-Tom, 13” x 9” Tom-Tom, 16” x 16” Floor Tom

Black, durable steel cowbell with sharp tone.

Orange wooden clave with high-pitched click.

12" Quick, trashy stack with short decay.

10 Bright splash with fast response.

14” Earthy, dry-sounding hi-hats with minimal wash.

18" Bright, trashy china with cutting attack.

20” Responsive ride with airy sustain.

22” Dark, complex ride with modern definition.

10" Classic splash with clean accents.

13" Bright, fast hi-hats with crisp chick.

18” Hybrid cymbal for crash and ride applications.

21” Warm, full-bodied ride with strong crashability.